Upon the premiere of A White House Cantata in 1997, Humphrey Burton wrote a detailed feature on the history of 1600 Pennsylvania Avenue called “The House That Alan and Leonard Built,” for July 5, 1997 issue of the British newspaper “The Independent.” The piece talks about the show’s short-lived chaos from Philadelphia to New York. For the article, Burton talked with original star Patricia Routledge about her experience on the show and she offered these words:
Despite the heartache and the humiliation, the celebrated actress and comedienne Patricia Routledge says she wouldn’t have missed the opportunity to work with Bernstein for worlds. “Lenny gave you his respect if you knew your job. Wonderful to work with. Inspiring. But he was saddled with genius and genius can be monstrous. It was a heart-breaking tragedy, really. When we opened in Philly it was an impasse of the worst kind; nobody would cut a line of dialogue or a note of music. Basically you cannot write a musical about a house. A friend said it was like watching a great prehistoric animal lumbering across the stage but there were moments of dazzling light… When it really came to life was when the human element was allowed to emerge. `Take Care of This House’, for example, that’s a beautiful lyrical piece [sung by Mrs Abigail Adams, the first incumbent first lady]. And in the second act, there’s an absolutely genius number called `Duet for One’ – two first ladies, the incumbent Julia Grant and the incoming Lucy Hayes, waiting for the presidential election result, a wonderful cliff- hanger presented in Busby Berkeley fashion, surrounded by lots of ladies with parasols.”