Tag: Jerry Herman

It’s the New Gypsy!

A mere five years following the unsuccessful revival of La Cage Aux Folles, it’s been announced by Norman Conquests producer Sonia Friedman that the current hit West End revival will transfer to Broadway in March 2010. The current production originated at the Menier Chocolate Factory and is currently in the midst of a hit West End engagement with Roger Allam and Philip Quast. TV and stage star John Barrowman is to step into the role of Albin this fall.

The recent revival played the Marriott Marquis for seven months, winning the Best Musical Revival Tony as producers simultaneously posted the closing notice. The production is probably best remembered for its highly publicized firing of star Daniel Davis as Georges halfway through the run. Robert Goulet, in his final Broadway appearance, was brought into the production, but his presence did very little to improve the show’s box office intake. Gary Beach was Albin, but seemed to be recreating his Roger De Bris rather than exploring that fascinating duality of the insecure, sensitive Albin with his assertive drag alter-ego Zaza.

Why is it coming back? Apparently this revival has a unique approach to the material that is unlike any other La Cage we’ve seen before. Friedman feels that there is enough appeal in this production to warrant a Broadway run. She is currently seeking a large playhouse or small musical house for the production and hopes to work out an arrangement with Actor’s Equity for Douglas Hodge, the original Olivier-winning Albin of the production to transfer. No other casting or details are available, but Friedman did meet with the show’s composer Jerry Herman the day of the Tonys to discuss details.

I’ll gladly see the show if it transfers, as it’s always been a crowdpleaser. However, this second revival in half a decade begs me to ask the Nederlander organization, where are the promised revivals of Hello, Dolly! and Mame that were to follow the last La Cage?

In the meanwhile: here’s the Tony-winning original George Hearn delivering “A Little More Mascara.” (The video quality is poor, his performance is outstanding).

Non-Competitive Tony Winners Announced

The nominations for the big awards will be revealed tomorrow at 8:30AM, but the Tony Awards committee has announced the winners of its Special Tony Awards today. Congratulations to Jerry Herman, Phyllis Newman, Shirley Herz and all the folks at the Signature Theatre Company in Arlington, VA.

Herman, composer of audience favorites Milk and Honey, Hello, Dolly!, Mame, and La Cage Aux Folles as well as cultist delights Dear World, Mack & Mabel and The Grand Tour, will receive the Tony Award for Lifetime Achievement in the Theatre.

The annual Regional Theatre Award goes to the Signature Theatre Company, as recommended by the American Theatre Critics Association. The award also includes a grant of $25,000 from Visa (who also happens to be one of the main Tony sponsors). As per the press release: “For 20 years, Signature Theatre has broadened and brightened the region’s cultural landscape with its bold productions of challenging new and established works.”

Newman is receiving the inaugural Isabelle Stevenson Award, established to honor a member of the theatre community “who has made a substantial contribution of volunteered time and effort on behalf of one or more humanitarian, social service or charitable organizations.” Newman founded the Phyllis Newman Women’s Health Initiative in 1995 and has raised $3.5 million dollars and helped 2,500 in the entertainment industry.

Herz is his year’s recipient of the Tony Honors for Excellence, given to someone in the industry ineligible for Tony recognition in established categories. She has worked as a press agent for over 200 on and off Broadway for over fifty years, starting as Rosalind Russell’s personal press rep during the run of Wonderful Town.

Hello,Wall-E!

Okay, so I’m about the seven thousandth person to make that pun. Sue me. However, thanks to the fantastic Pixar animation film Wall-E, which is one of the most loved films to come about this year, there is talk of the Nederlanders presenting their long-awaited revival of Hello, Dolly! It had actually been discussed when the revival of La Cage Aux Folles was first announced a few years back that the Nederlander Organization would present revivals of La Cage, Dolly! and Mame in succession. However, with the disappointing six month run of La Cage, the other two shows seemed to be put on the back burner.

Fast forward to right now. Jerry Herman is excited. The buzz created from the film is stratospheric. The Nederlanders’ interest is back up. And the internet boards are abuzz with chatter about who would make the perfect Dolly Gallagher Levi. So it makes perfect sense to strike when the iron is hot. And let’s face it, the film adaptation of Dolly is pretty lackluster. Barbra Streisand was somewhat out of her element (even if the note she holds at the end of “Before the Parade Passes By” for sixteen bars is impressive), the overall picture was low on humor and ultimately bloated with too much spectacle and little heart, with the story of Dolly’s re-emergence feeling lost in the shuffle. Another problem, for me, is that because of her youth and vibrance, there is a certain gravitas lost in the character’s arc. Where has she been?)

Jerry himself weighs in on some various “suggestions” in Variety:

Herman has been thinking of possible actresses to topline the revival for some time. While he concedes the role demands “a big star,” he declines to name any frontrunner. He acknowledges eyeing Queen Latifah to play Mrs. Dolly Gallagher Levi, but says her busy film career would make that casting problematic — at least so far.

Chat rooms and theater insiders have been volunteering casting ideas that range from the fantastic to the obvious: Oprah Winfrey (“An exciting idea, but I don’t think she could devote a year to the production,” says Herman); Meryl Streep (“She can do anything.”); Barbra Streisand, star of the 1969 screen version (“She’s the right age now, but she’s never coming back to Broadway.”); Patti LuPone (“Magnificent.”); Reba McEntire (“I’m crazy for her, but I’m not sure about the accent.”); Bernadette Peters (“We were close friends and I obviously love this lady, but I just don’t know.”).

Interesting comments from Mr. Herman. Hell, I think this revival should replicate the original: replace one formidable star with another. Why not have all these ladies come down the red staircase akin to Carol, Ginger, Betty, Martha, Pearlie Mae, Phyllis and Ethel.

It’s refreshing to see something Broadway related so fresh in the mindset of current popular culture. Makes me feel like I’ve seen a flash of what it would have been like to be a theatre fan in 1956.